On ‘High Maintenance,’ characters are expendable, but essential
Shane René, Editor-in-Chief
• March 1, 2020
REVIEW: ‘Avenue 5’’s blend of science fiction and comedy is accessible — and kinda scary
Shane René, Editor-in-Chief
• February 24, 2020
Oscar-winning ‘Hair Love’ pulls heartstrings, celebrates Black hair
Chinyere Ibeh, Music and Film Critic
• February 24, 2020
REVIEW: ‘Sonic the Hedgehog’ brings witty entertainment
Lauren Coates
• February 23, 2020
REVIEW: ‘Birds of Prey’ cluttered, lacks meaningful content
John Cotter
• February 16, 2020
‘The Photograph’ features soulful, artistic performances
Keira Wingate, Arts & Life Editor
• February 16, 2020
Celebrity documentaries on Netflix you should watch
Keira Wingate, Arts & Life Editor
• February 16, 2020
REVIEW: ‘Portrait of a Lady on Fire’ reinvents wheel of love
Rebecca Rogers
• February 16, 2020
REVIEW: ‘Portrait of a Lady on Fire’ is ‘utopia of femininity’
Michael Brzezinski
• February 16, 2020
What to look out for at the Berlin Film Festival
Michael Brzezinski
• February 16, 2020
New Netflix documentary series gives voice to death row inmates
Chinyere Ibeh, Music and Film Critic
• February 16, 2020
‘Miss Americana’ attempts to restore Taylor Swift’s reputation
Emma Oxnevad, Online Managing Editor
• February 16, 2020
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