“Broker” Review: Found family in morally gray places
Claire Tweedie, Arts & Life Editor
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M3GAN: A new wave of doll horror
Samuel Mroz, Contributing Writer
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RuPaul’s Drag race off to a fierce start
Nadia Carolina Hernandez, Former Editor in Chief
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Editor’s picks: The best media from 2022
Lilly Keller and Jonah Weber
• January 8, 2023
Long-awaited “Avatar” sequel delivers
Jacob Costello, Chief Film and TV Critic
• January 8, 2023
The most anticipated films of 2023
Jacob Costello, Chief Film and TV Critic
• January 8, 2023
Babylon is a mighty, grimy Hollywood fable lost in its own excess
Lauren Coates
• December 28, 2022
‘My Mind and Me’: A candid glimpse into fame and its shadow
Olivia Moosey, Contributing Writer
• November 14, 2022
“Weird: The Al Yankovic Story” revamps the genre of biopics
Jacob Costello, Chief Film and TV Critic
• November 13, 2022
“Decision to Leave’s” old and new obsessions
Ethan Mattheus, Contributing Writer
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Cate Blanchett rises to the occasion in ‘Tár’
Jacob Costello, Chief TV and Film Critic
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