Doña Maria: A beloved custodian at DePaul is a motherly figure for many first-gen students
Rodolfo Zagal, La DePaulia News Editor
• October 21, 2023
SAIC Student Competes on Pumpkin-Carving Show
Zanna Ingram, Contributing Writer
• October 15, 2023
Lincoln Park restaurants surviving pandemic, inflation and other challenges
Ari Vargas, Contributing Writer
• October 15, 2023
Hot Girl Autumn DeJamz
Lucia Preziosi, News Editor
• October 15, 2023
Black Arts Month Kick-off brings a night of performances and new beginnings for the B.A.C.A.
Grace Vaughn, Contributing Writer
• October 15, 2023
“Pikmin 1+2” review: A Blooming Bundle
Jason Fennell, Contributing Writer
• October 15, 2023
“The Boy and the Heron” review: A boy and a bird graciously sing Miyazaki’s swan song to cinema
Sam Mroz, Asst. Arts & Life Editor
• October 15, 2023
“Rustin” review: History falls flat in over-ambitious and underwhelming dramatization
Claire Tweedie, Arts & Life Editor
• October 15, 2023
“The People’s Joker” review: Putting clown makeup on a story of identity and calling it a parody
Claire Tweedie, Arts & Life Editor
• October 15, 2023
“Poor Things” review: A technicolor take on oddity and identity
Claire Tweedie, Arts & Life Editor
• October 15, 2023
“Eric Larue” review: Shoddy artistry upends an otherwise novel story of tragedy and faith
Sam Mroz, Asst. Arts & Life Editor
• October 15, 2023
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