“Zone of Interest”: A resonant moral probing of evil and its subtle cultural imprints
Sam Mroz, Asst. Arts & Life Editor
• October 22, 2023
“Pikmin 1+2” review: A Blooming Bundle
Jason Fennell, Contributing Writer
• October 15, 2023
“The Boy and the Heron” review: A boy and a bird graciously sing Miyazaki’s swan song to cinema
Sam Mroz, Asst. Arts & Life Editor
• October 15, 2023
“Rustin” review: History falls flat in over-ambitious and underwhelming dramatization
Claire Tweedie, Arts & Life Editor
• October 15, 2023
“The People’s Joker” review: Putting clown makeup on a story of identity and calling it a parody
Claire Tweedie, Arts & Life Editor
• October 15, 2023
“Poor Things” review: A technicolor take on oddity and identity
Claire Tweedie, Arts & Life Editor
• October 15, 2023
“Eric Larue” review: Shoddy artistry upends an otherwise novel story of tragedy and faith
Sam Mroz, Asst. Arts & Life Editor
• October 15, 2023
“Bottoms” review: fresh vision for teen sex comedy takes a big swing and unfortunately misses
Zachary Klein, Contributing Writer
• September 10, 2023
‘Nomadland’ blends Hollywood with humanity
Sofia Leal, Contributing Writer
• May 9, 2021
Review: A Stinker in Time
Garret Neal, Staff Writer
• March 12, 2018
“Red Sparrow” severely disappoints
Garret Neal, Staff Writer
• March 5, 2018
Load More Stories
TRENDING
WEEKLY PRINT ISSUE
NEWSLETTER SIGN-UP