“Rustin” review: History falls flat in over-ambitious and underwhelming dramatization
Claire Tweedie, Arts & Life Editor
• October 15, 2023
“The People’s Joker” review: Putting clown makeup on a story of identity and calling it a parody
Claire Tweedie, Arts & Life Editor
• October 15, 2023
“Poor Things” review: A technicolor take on oddity and identity
Claire Tweedie, Arts & Life Editor
• October 15, 2023
“Eric Larue” review: Shoddy artistry upends an otherwise novel story of tragedy and faith
Sam Mroz, Asst. Arts & Life Editor
• October 15, 2023
“Bottoms” review: fresh vision for teen sex comedy takes a big swing and unfortunately misses
Zachary Klein, Contributing Writer
• September 10, 2023
‘Nomadland’ blends Hollywood with humanity
Sofia Leal, Contributing Writer
• May 9, 2021
Review: A Stinker in Time
Garret Neal, Staff Writer
• March 12, 2018
“Red Sparrow” severely disappoints
Garret Neal, Staff Writer
• March 5, 2018
The divide in “Black Mirror”
Mackenzie Murtaugh, News Editor
• January 8, 2018
Spanish-language music is more versatile than you think
Amber Colón, Editor-in-Chief
• October 9, 2017
What’s Fresh in Podcasts
Matt Koske
• October 9, 2017
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