Film & TV

Next generation of queer and women filmmakers drive change
Meghan Lajewski, Contributing Writer
• October 1, 2023

Scarier than expected, Kenneth Branagh charts a new path for Poirot in “A Haunting in Venice”
Elizabeth Gregerson, Contributing Writer
• October 1, 2023

“The Creator” Panel discusses AI and virtual reality, technology as our closest friend and scariest fear
Samuel Mroz, Asst. Arts and Life Editor
• October 1, 2023

“Waiting for the Light to Change” opens at Siskel Center
Sam Mroz, Contributing Writer
• September 24, 2023

Film union strikes impact student opportunities
Claire Tweedie, Former Editor in Chief
• September 17, 2023

“Bewitched” review: A magical love at first listen
Claire Tweedie, Former Editor in Chief
• September 10, 2023

“Barbenheimer:” A pop culture boom big enough to reach the classroom
Sam Mroz, Contributing Writer
• September 10, 2023

“Bottoms” review: fresh vision for teen sex comedy takes a big swing and unfortunately misses
April Klein, Asst. Arts & Life Editor
• September 10, 2023

Best media to consume for Pride Month
Lilly Keller, Editor in Chief
• June 4, 2023

‘The Little Mermaid’ makes a surprising splash in this reviewer’s heart
Kassem W. Ossman, Contributing Writer
• May 29, 2023

‘Baby J’ review: Confessions of a controversial comedian
Claire Tweedie, Former Editor in Chief
• May 21, 2023
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