
‘Makeshift’ review: Setting comedy at the dinner table
Claire Tweedie, Staff Writer
• May 7, 2023

Joffrey Ballet mounts an ambitious, melancholy reimagining of The Little Mermaid
Lauren Coates, Staff Writer
• April 30, 2023

“Into the Woods”: An enchanting evening at the theater
Erin Henze, Photo Editor
• April 30, 2023

“Macbeth” review: a haunting reconciliation on fate and madness
Lilly Keller, Arts and Life Editor
• April 9, 2023

Martine Kei Green-Rogers reflects on first year as theater school Dean
Samuel Mroz, Staff Writer
• April 9, 2023

The sun is out at Cadillac Palace Theatre: ‘Annie’ continues to capture hearts
Erin Henze, Assistant Photo Editor
• March 12, 2023

Lookingglass Theater’s “Villette” is a ‘moody, mesmerizing tale of love and solitude’
Lauren Coates, Staff Writer
• March 5, 2023

“Chicago” brings money, murder, and all that jazz to the CIBC theater
Lauren Coates, Staff Writer
• January 22, 2023

Mercury Theater serves up killer comedy with “Clue”
Lauren Coates, Contributing Writer
• October 23, 2022

National tour of “Wicked” delivers visual spectacle and strong performances
Lauren Coates, Staff Writer
• October 2, 2022
![Sophomore Emma Gordon [left] rehearses with freshman Grace Provan [right].](https://depauliaonline.com/wp-content/uploads/2022/04/The-brink-of-womanhood-900x600.jpeg)
The story of a woman, for women, by a woman
Kiersten Riedford, Assistant News Editor
• April 11, 2022

‘Fefu and Her Friends’ is an intimate look at femininity
Josephine Stratman, Assistant News Editor
• February 22, 2022
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