Film & TV
‘Megalopolis’ review: A baffling, unhinged epic unlike anything before or since
Jake Panek, Film & TV Beat Writer
• September 30, 2024
Preserving the past to ensure the future of moviegoing: Music Box Theatre ‘revives at 95’
Jake Panek, Arts & Life Beat Writer
• September 23, 2024
‘The Substance’ review: A wild, nauseating body horror facemelter
Jake Panek, Arts & Life Beat Writer
• September 23, 2024
“Beetlejuice Beetlejuice” review: A delightfully spooky return to form for Tim Burton
Jake Panek, Arts & Life Beat Writer
• September 16, 2024
“I Saw the TV Glow” Review: Nostalgia and queer identity intersect in Jane Schoenbrun’s new psychological horror-drama.
Robin Pett, Contributing Writer
• May 26, 2024
KiKi Layne’s love for the unexpected: DePaul Theater School alumni reflects on career and teachings amid “Dandelion” opening
Sam Mroz, Arts & Life Editor
• May 26, 2024
“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film
April Klein, Staff Writer
• May 19, 2024
“The Fall Guy” review: Admirable passion buried under sloppy filmmaking
April Klein, Staff Writer
• May 12, 2024
“Civil War” review: A student journalist’s perspective
Claire Tweedie, Editor in Chief
• April 28, 2024
“Challengers” Press Conference: The Actors, Director and Producers behind Amazon MGM’s latest sports drama
Sam Mroz, Arts & Life Editor
• April 28, 2024
“The First Omen” review: How I wish this wasn’t an “Omen” movie
April Klein, Staff Writer
• April 21, 2024
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