This holiday season, The Goodman’s annual production of “A Christmas Carol” has returned to the Albert, where it is delighting audiences of all ages by residing between the worlds of innovation and tradition. Directed by Henry Wishcamper, it delivers a wealth of Christmas spirit and plunges its viewers into the narrative that it so skillfully reveals.

The Goodman’s rendition of the Dickens classic has long been a staple in the world of Chicago theater, and this year marks the 37th time that its presence has graced the city. It is a hearty piece of well-acted, impeccably designed, and delightfully meaningful artistry that reminds us of what truly matters during the holiday season.

Visually, this year’s rendition is a feast. The set design is solid, impeccable, and always interesting to the eye. Though it does not distract from the tale at hand, it transports its audience to another world entirely. It instills a plethora of sparkling settings that create a new world that is a joy to jump into. The group of marvelously talented musicians, comprised of Justin Amolsch, Andrew Coll, Gregory Hirte, and Malcolm Ruhl add something truly special to the production, as well.

This cast of this year’s “A Christmas Carol” is entirely marvelous, as well; each member of the tight-knit group is dynamic, though there are a few performances that shine above the rest.

Larry Yando, who is reprising the role of Scrooge at The Goodman for the eighth time, is an absolute pleasure to witness on the stage. His is the kind of acting that enables its audiences to sit back and be delighted; he is talented, dynamic, and instills Scrooge with the kind of complexity that is necessary to make an rendition of “A Christmas Carol” move and breathe. His Ebenezer begins chockfull of bah-humbugs but blooms into one of the gentlest characters that audiences will have the privilege to bare witness too. Yando has mastered this role; it is apparent that it has become a part of him but it never grows tired or anticipatory.

Ron E. Rains is similarly excellent in his portrayal of Bob Cratchit. This is the eighth year that he has taken on the beloved role and, much like Yando, though it is apparent that he is an expert in this character it remains new and fresh. Rains infuses Cratchit with an unparalleled kindness and honesty; there is never a moment that we aren’t rooting for his well being.

Patrick Andrews, who portrays the Ghost of Christmas Past, and Lisa Gaye Dixon, who portrays the Ghost of Christmas Present are also wonderful. Their presences are dynamic, ethereal, and provide something truly transcendent and energetic.

There is a great sense of delight in simultaneous tradition and newness that this year’s “A Christmas Carol” has to offer. In mere moments, it can transport its audience from laughter to tears and back again. The show is the perfect treat for those seeking to dive headfirst into the holiday spirit, begin a new Christmas tradition, or simply experience a superb production. “A Christmas Caro”l is joyous, timeless, and perpetually meaningful.

“A Christmas Carol” runs at The Goodman through December 28.