“Late Night With the Devil” is a demonic delight that possesses audiences with a fresh take on the found footage trope and worms its way into the heart of any horror fan. From the slightly campy 1970s...
David Dastmalchian enrolled in DePaul’s Theater School in the mid-1990s with a difficult past weighing heavy on him.
In high school, he struggled with a secret drug problem and undiagnosed clinical...
The event begins six hours before doors open to the public. A committed mix of novice and experienced film students descend into the basement of the Richard and Maggie Daley building at noon on Friday,...
April Klein, Arts & Life Editor
/ February 25, 2024
Vishaal Desai adores cinema. In 2009, he graduated from the prestigious London Film School. He worked for years in the film industry in India before coming to DePaul for his graduate degree. His affinity...
Linnea Cheng, Contributing Writer
/ February 18, 2024
Roger Deakins is one of film’s most venerable cinematographers in recent history, frequently collaborating with directors Sam Mendes, the Coen brothers and Denis Villenueve.
DePaul’s School of...
Even if you’re a certified musical theater hater, the “Mean Girls” movie-musical was worth the watch. We know everything about the 2004 original movie but wanted to be surprised about the musical....
Vanessa Lopez, Social Media Editor
/ January 21, 2024
Chicagoans spend their winters indoors, bundled up against the bitter cold, or on X complaining about how cold it is outside. However, one thing that remains consistent throughout is the recognition that...
April Klein, Arts & Life Editor
/ January 21, 2024
The Christmas season tends to be the busiest time of the year for movie theaters. With the cold weather preventing outdoor activities and the holidays allowing many people breaks from work & school,...
Between “Oppenheimer” winning big, Taylor Swift’s attendance and a red carpet runway for hollywood’s biggest celebrities, on Jan. 7 the 81st annual Golden Globes was broadcasted across television...
Claire Tweedie, Former Editor in Chief
/ January 15, 2024
Eccentrically curious and undoubtedly crude, “Poor Things” is an odd journey of self-discovery with just enough substance amid the psychedelic style to make it a worthy watch. The adventure that director...
During a Zoom Q&A session with several college publications Nov. 16, screenwriters Ottessa Moshfegh and Luke Goebel, along with director William Oldroyd, delved into the process of adapting the critically...
Using an experienced assassin as the canvas for his latest project, David Fincher’s “The Killer” is a methodical recycling of death and espionage with its own glaze of moral scrutiny. As Fincher’s...