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REVIEW: ‘Friends: The Reunion’ fails to address the show’s history with racist, homophobic comments
Lawrence Kreymer, Editor in Chief
• May 31, 2021
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Why don’t we like prequels?
Sofia Leal, Contributing Writer
• May 31, 2021
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The 2021 Movie Slate is One for the History Books
Nate Burleyson, Online Managing Editor
• May 23, 2021
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REVIEW: New ‘Star Wars’ animated spin-off ‘The Bad Batch’ just misses being bad
Maddey Martin, Contributing Writer
• May 16, 2021
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REVIEW: ‘Invincible’ is not just about superheroes, but the vulnerability of humanity
Rebecca Meluch, News Editor
• May 16, 2021
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DePaul alum’s ‘Face Me’ a call to action directed at Hollywood casting
Lily Lowndes, Social Media Editor
• May 9, 2021
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‘Nomadland’ blends Hollywood with humanity
Sofia Leal, Contributing Writer
• May 9, 2021

From ‘Breakfast at Tiffany’s’ to ‘Minari’: How Asian representation has changed in film and TV
Lucas Madlangbayan, Contributing Writer
• May 2, 2021
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A retrospective critique of ‘Joker’
Brandon Yechout, Contributing Writer
• April 25, 2021
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