
REVIEW: ‘Onward’ is a typical magical adventure
Chinyere Ibeh, Staff Writer
• April 15, 2020

REVIEW: Ben Affleck shines in melodrama of ‘The Way Back’
Nate Burleyson, Assistant Sports Editor
• March 8, 2020

REVIEW: Latest remake of ‘The Invisible Man’ eerie in more ways than one
Keira Wingate, Assistant Arts & Life Editor
• March 1, 2020

‘The Photograph’ features soulful, artistic performances
Keira Wingate, Assistant Arts & Life Editor
• February 16, 2020

REVIEW: ‘Portrait of a Lady on Fire’ reinvents wheel of love
Rebecca Rogers, Contributing Writer
• February 16, 2020

REVIEW: ‘Portrait of a Lady on Fire’ is ‘utopia of femininity’
Michael Brzezinski, Chief Film Critic
• February 16, 2020

‘Miss Americana’ attempts to restore Taylor Swift’s reputation
Emma Oxnevad, Opinions & Social Media Editor
• February 16, 2020

Sundance Film Festival: The DePaulia’s chief film critic’s takeaways
Michael Brzezinski, Chief Film Critic
• February 9, 2020

REVIEW: ‘Knives Out’ murders all expectations
Rebecca Meluch, Focus Editor
• February 3, 2020

REVIEW: ‘Just Mercy’ a poignant, haunting reflection of nation today
Rebecca Rogers, Contributing Writer
• January 31, 2020

REVIEW: ‘Like A Boss’ is the first ‘girl boss’ comedy of the decade
Kionnie Barrett, Contributing Writer
• January 26, 2020

REVIEW: ‘1917’ a one-take film following a one-take mission
Rebecca Meluch, Focus Editor
• January 26, 2020
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