“Challengers” review: Competition is a dish best served in threes
Sam Mroz, Arts & Life Editor
• April 14, 2024
“Monkey Man” review: An action movie with a very bloody heart
Zachary Klein, Staff Writer
• April 14, 2024
“Mean Girls” review: The movie musical adaptation can sit with us
Nadia Carolina Hernandez and Jake Cox
• January 28, 2024
“Poor Things” review: A technicolor take on oddity and identity
Claire Tweedie, Content Managing Editor
• January 15, 2024
“Eileen” filmmakers talk story, structure and surprises behind cinematic adaptation
Sam Mroz, Arts & Life Editor
• December 6, 2023
“The Killer” review: A thriller as obvious as it is effective
Sam Mroz, Arts & Life Editor
• November 5, 2023
“Sweet Dreams”: A biting perspective on colonization that stings and surprises
Claire Tweedie, Content Managing Editor
• October 22, 2023
“Evil Does Not Exist”: A tranquil coasting across the vanity of mankind
Sam Mroz, Arts & Life Editor
• October 22, 2023
“Monster”: A quiet look at the complexity of boyhood and the monsters behind it
Claire Tweedie, Content Managing Editor
• October 22, 2023
“La Chimera”: Grave robbing plays as pastime to a dense reflection of lost love
Sam Mroz, Arts & Life Editor
• October 22, 2023
“Lost Country”: Politics and family come together in a story built on social unrest
Sam Mroz, Arts & Life Editor
• October 22, 2023
“Zone of Interest”: A resonant moral probing of evil and its subtle cultural imprints
Sam Mroz, Arts & Life Editor
• October 22, 2023
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