
DePaul students celebrate a year’s worth of films at the 18th annual Premiere film festival
April Klein, Asst. Arts & Life Editor
• July 1, 2024

“The Boy and the Heron” review: A boy and a bird graciously sing Miyazaki’s swan song to cinema
Sam Mroz, Contributing Writer
• October 15, 2023

“Rustin” review: History falls flat in over-ambitious and underwhelming dramatization
Claire Tweedie, Former Editor in Chief
• October 15, 2023

“The People’s Joker” review: Putting clown makeup on a story of identity and calling it a parody
Claire Tweedie, Former Editor in Chief
• October 15, 2023

“Poor Things” review: A technicolor take on oddity and identity
Claire Tweedie, Former Editor in Chief
• October 15, 2023

“Eric Larue” review: Shoddy artistry upends an otherwise novel story of tragedy and faith
Sam Mroz, Contributing Writer
• October 15, 2023

The Future of Fright
Luke Murphy
• October 28, 2019

What’s Fresh: Rattesnake
Keira Wingate and Ella Lee
• October 28, 2019

Looking back at Hollywood’s best monster movies
Joe Roman Jr., Contributing Writer
• October 28, 2019

Everyone loves Disney, but the continuing cycle of remakes is getting old
Gavin Farrow
• September 23, 2019

Kevin Hart on education and redemption
Lacey Latch, Editor-in-Chief
• September 17, 2018
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