“The Boy and the Heron” review: A boy and a bird graciously sing Miyazaki’s swan song to cinema
Sam Mroz, Arts & Life Editor
• October 15, 2023
“Rustin” review: History falls flat in over-ambitious and underwhelming dramatization
Claire Tweedie, Editor in Chief
• October 15, 2023
“The People’s Joker” review: Putting clown makeup on a story of identity and calling it a parody
Claire Tweedie, Editor in Chief
• October 15, 2023
“Poor Things” review: A technicolor take on oddity and identity
Claire Tweedie, Editor in Chief
• October 15, 2023
“Eric Larue” review: Shoddy artistry upends an otherwise novel story of tragedy and faith
Sam Mroz, Arts & Life Editor
• October 15, 2023
The Future of Fright
Luke Murphy
• October 28, 2019
What’s Fresh: Rattesnake
Keira Wingate and Ella Lee
• October 28, 2019
Looking back at Hollywood’s best monster movies
Joe Roman Jr., Contributing Writer
• October 28, 2019
Everyone loves Disney, but the continuing cycle of remakes is getting old
Gavin Farrow
• September 23, 2019
Kevin Hart on education and redemption
Lacey Latch, Editor-in-Chief
• September 17, 2018
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