All eyes on the wise of heart: ‘Inherit The Wind’ at Goodman Theatre
Finn Morse, Theater Beat Writer
• September 30, 2024
“I Saw the TV Glow” Review: Nostalgia and queer identity intersect in Jane Schoenbrun’s new psychological horror-drama.
Robin Pett, Contributing Writer
• May 26, 2024
“Civil War” review: A student journalist’s perspective
Claire Tweedie, Former Editor in Chief
• April 28, 2024
“The People’s Joker” review: Putting clown makeup on gender identity and calling it a parody
Claire Tweedie, Former Editor in Chief
• April 21, 2024
“Challengers” review: Competition is a dish best served in threes
Sam Mroz, Contributing Writer
• April 14, 2024
“Monkey Man” review: An action movie with a very bloody heart
April Klein, Staff Writer
• April 14, 2024
“Late Night With the Devil” review: An on air horror classic long after the broadcast
Claire Tweedie, Former Editor in Chief
• April 7, 2024
“Mean Girls” review: The movie musical adaptation can sit with us
Nadia Carolina Hernandez and Jake Cox
• January 28, 2024
“Poor Things” review: A technicolor take on oddity and identity
Claire Tweedie, Former Editor in Chief
• January 15, 2024
“The Killer” review: A thriller as obvious as it is effective
Sam Mroz, Contributing Writer
• November 5, 2023
“the rest” provides a promising look into boygenius’ musical future
Carly Witt, Opinions Editor
• November 5, 2023
“Evil Does Not Exist”: A tranquil coasting across the vanity of mankind
Sam Mroz, Contributing Writer
• October 22, 2023
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