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The Student Newspaper of DePaul University

The DePaulia

The Student Newspaper of DePaul University

The DePaulia

The Student Newspaper of DePaul University

The DePaulia

Film & TV

Kyle Mooney (center) directs Jaeden Martell (left) and Rachel Zegler (right) on the set of 'Y2K.'

Director, writer and star Kyle Mooney on growing up in the 90s and ‘Y2K’

April Klein, Asst. Arts & Life Editor December 19, 2024

With the current nostalgia cycle rearing its head back towards the end of the century, it’s only inevitable that someone would call back to the films of the late 90s. Independent film distribution...

‘Y2K’ review - A satirical trek through the end of the millennium drowns in its own ambition

‘Y2K’ review – A satirical trek through the end of the millennium drowns in its own ambition

April Klein, Asst. Arts & Life Editor December 17, 2024

There’s nothing more embarrassing than bad comedy. A horror which fails to scare its audience may at least result in a mocking enjoyment of its attempts at gravitas (see “Wish Upon.”) The same goes...

‘Gladiator II’ review – A sequel 20-years in the making struggles to make a lasting impact

‘Gladiator II’ review – A sequel 20-years in the making struggles to make a lasting impact

Alek Sacinski, Contributing Writer December 3, 2024

Ridley Scott’s 29th film “Gladiator II” revolves around family intrigue, sprawling sets, and a muscular man with eyes set on a throne. “Gladiator II” follows Lucius Verus (Paul Mescal), son...

‘Wicked’ review – Cynthia Erivo and Ariana Grande transform this classic musical

‘Wicked’ review – Cynthia Erivo and Ariana Grande transform this classic musical

Karidja Monjolo, Contributing Writer December 3, 2024

“Wicked”(2024)  does nothing less than defy expectations and redefine assumptions of what a movie musical can be. Based on the Broadway hit, “Wicked” itself is based on the novel “Wicked:...

Chicago International Film Festival volunteer helps customer by a ticket for a screening at the Gene Siskel Film Center on Saturday, Oct. 26, 2024. The Gene Siskel Film Center has presented a variety of international, independent and classic films to audiences.

‘This is Cinema: Gene Siskel Film Center features Powell & Pressburger’

Finn Morse, Theater Beat Writer November 16, 2024

From hosting various filmmakers to making creative lineups of movies around a set of criteria, the Gene Siskel Film Center asserts itself as an accessible location for fans of art house movies. As one...

'The Piano Lesson' review: A haunting past crafts a captivating film

‘The Piano Lesson’ review: A haunting past crafts a captivating film

Claire Tweedie, Former Editor in Chief October 31, 2024

“The Piano Lesson” is a theatrical play masquerading as a movie. Based on the 1987 play by August Wilson, the film adaptation is proof that sticking to a story’s theatrical roots can pay off on screen...

‘Hard Truths’ review: Mike Leigh’s brutally honest yet kind drama stuns

‘Hard Truths’ review: Mike Leigh’s brutally honest yet kind drama stuns

April Klein, Asst. Arts & Life Editor October 31, 2024

Mike Leigh’s “Hard Truths” is a strikingly empathetic portrait of people on the fringes of society while simultaneously being in the midst of it. Re-teaming with Leigh twenty-eight years after their...

'Flow' review: Give it some apPAWse

‘Flow’ review: Give it some apPAWse

Grace Logan, Arts & Life Editor October 31, 2024

Wow! Not sure what else to say. This was my first experience with Gints Zilbalodis’ work – Latvian filmmaker, animator and director of “Flow” – and I can confidently say that I am a fan. “Flow”...

'Grand Tour' review: Yearning for meaning across time and space

‘Grand Tour’ review: Yearning for meaning across time and space

April Klein, Asst. Arts & Life Editor October 31, 2024

Flashes of the past and present are overlaid on top of one another throughout “Grand Tour.” A dance of motorcycles swirling around a roundabout is played simultaneously with footage of the Chinese...

‘The End’ review: A scattershot opera of acceptance and forgiveness after the apocalypse

‘The End’ review: A scattershot opera of acceptance and forgiveness after the apocalypse

Jake Panek, Film & TV Beat Writer October 30, 2024

A post-apocalyptic anti-musical overwhelmed with guilt and grief, Joshua Oppenheimer’s “The End” follows a billionaire family and the cracks that start to form when a young woman shows up in the...

'Desire Lines' review: Half-documentary half-queer drama gets close to greatness

‘Desire Lines’ review: Half-documentary half-queer drama gets close to greatness

April Klein, Asst. Arts & Life Editor October 30, 2024

The rarity of something like Jules Rosskam’s “Desire Lines” is reason enough for its existence. Woven in-between talking heads interviews with gay trans men speaking frankly about their experiences...

‘All We Imagine as Light’ review: A lyrical and meditative masterpiece of sisterhood and longing

‘All We Imagine as Light’ review: A lyrical and meditative masterpiece of sisterhood and longing

Jake Panek, Film & TV Beat Writer October 30, 2024

The first narrative film from Indian director Payal Kapadia, “All We Imagine as Light” is a spellbinding story of two nurses who share an apartment in Mumbai and a sisterhood forged amidst their respective...

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