Film & TV

‘In the Lost Lands’ Review — Style over substance, as per usual
Alek Sacinski, Contributing Writer
• March 10, 2025

‘Opus’ review: Can someone please put Ayo Edebiri in something good
April Klein, Asst. Arts & Life Editor
• March 10, 2025

‘The Monkey’ review: A decently gruesome but overbearingly snarky take on mortality
Jake Panek, Film & TV Beat Writer
• March 10, 2025

‘Mickey 17’ review: Double the Pattinson, double the funny, double the mess
April Klein, Asst. Arts & Life Editor
• February 17, 2025

Talking about process with DePaul’s ‘Directors for Actors’
Alana Eve Schacher, Contributing Writer
• February 17, 2025

‘Grand Theft Hamlet’ review: A hysterical, inspiring documentary about art and community in a chaotic online world
Jake Panek, Film & TV Beat Writer
• February 17, 2025

‘Love Hurts’ review: Love stinks and so does this movie
Sam McCarthy, Contributing Writer
• February 10, 2025

Cartoons, advertising and Trump — The film industry in 2024 and beyond
April Klein, Asst. Arts & Life Editor
• February 3, 2025

‘Presence’ review: You can only watch
April Klein, Asst. Arts & Life Editor
• February 3, 2025

‘Wolf Man’ review: Mostly bark, very little bite
Sam McCarthy, Contributing Writer
• January 27, 2025

Clear your afternoon with the ‘Settle In’ collection at Gene Siskel Film Center
Finn Morse, Theater Beat Writer
• January 20, 2025
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