Arts/Life

‘The End’ review: A scattershot opera of acceptance and forgiveness after the apocalypse
Jake Panek, Film & TV Beat Writer
/ October 30, 2024

‘Desire Lines’ review: Half-documentary half-queer drama gets close to greatness
April Klein, Asst. Arts & Life Editor
/ October 30, 2024

‘All We Imagine as Light’ review: A lyrical and meditative masterpiece of sisterhood and longing
Jake Panek, Film & TV Beat Writer
/ October 30, 2024

‘Nightbitch’ review: A painful adaptation that belongs in the doghouse
Claire Tweedie, Former Editor in Chief
/ October 30, 2024

Election day DeJamz: What to listen to on the way to the polls
DePaulia Editors
/ October 28, 2024

Photo Gallery: Carve out time for Night of 1000 Jack-o-Lanterns
Kit Wiberg, Director of Photography & Multimedia
/ October 23, 2024

Navigating the artificial age: how AI interviews are changing the job search
Sam Mroz, Contributing Writer
/ October 21, 2024

Sara Davis Buechner upcoming concert at Holtschneider Performance Center
Grace Logan, Arts & Life Editor
/ October 21, 2024

Zine Scene: DePaul’s ZineFest showcases the work of local creatives
Isabel Riley, Contributing Writer
/ October 21, 2024

‘Cursed in Baja’ premiere shows the strength of the horror community
April Klein, Asst. Arts & Life Editor
/ October 21, 2024

DeJamz: KPOP!
Peyton Hopp, Asst. Sports Editor
/ October 21, 2024

Boo-tique Bonanza: A look ‘behind the mask’ of Chicago Costume
Sofia Joseph, La DePaulia News Editor
/ October 21, 2024
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