Chicago International Film Festival unveils full lineup for 2025 season April Klein and Jake Panek September 22, 2025
‘By the Stream’ review: A serene conversation on the processes of art and life Jake Panek, Film & TV Beat Writer September 15, 2025
‘Hell of a Summer’: Directors Finn Wolfhard and Billy Bryk on their modern summer camp slasher Jake Panek, Film & TV Beat Writer April 7, 2025
‘The Monkey’ review: A decently gruesome but overbearingly snarky take on mortality Jake Panek, Film & TV Beat Writer March 10, 2025
From ‘(A)nora’ to ‘Emilia Pére(Z)’: DePaul’s thoughts on the 2025 Oscars The DePaulia Staff March 2, 2025
‘Grand Theft Hamlet’ review: A hysterical, inspiring documentary about art and community in a chaotic online world Jake Panek, Film & TV Beat Writer February 17, 2025
‘The End’ review: A scattershot opera of acceptance and forgiveness after the apocalypse Jake Panek, Film & TV Beat Writer October 30, 2024
‘All We Imagine as Light’ review: A lyrical and meditative masterpiece of sisterhood and longing Jake Panek, Film & TV Beat Writer October 30, 2024
‘Megalopolis’ review: A baffling, unhinged epic unlike anything before or since Jake Panek, Film & TV Beat Writer September 30, 2024
Preserving the past to ensure the future of moviegoing: Music Box Theatre ‘revives at 95’ Jake Panek, Arts & Life Beat Writer September 23, 2024
‘The Substance’ review: A wild, nauseating body horror facemelter Jake Panek, Arts & Life Beat Writer September 23, 2024
“Beetlejuice Beetlejuice” review: A delightfully spooky return to form for Tim Burton Jake Panek, Arts & Life Beat Writer September 16, 2024
