Arts/Life
Black Arts Month Kick-off brings a night of performances and new beginnings for the B.A.C.A.
Grace Vaughn, Contributing Writer
• October 15, 2023
“Pikmin 1+2” review: A Blooming Bundle
Jason Fennell, Contributing Writer
• October 15, 2023
“The Boy and the Heron” review: A boy and a bird graciously sing Miyazaki’s swan song to cinema
Sam Mroz, Contributing Writer
• October 15, 2023
“Rustin” review: History falls flat in over-ambitious and underwhelming dramatization
Claire Tweedie, Former Editor in Chief
• October 15, 2023
“The People’s Joker” review: Putting clown makeup on a story of identity and calling it a parody
Claire Tweedie, Former Editor in Chief
• October 15, 2023
“Poor Things” review: A technicolor take on oddity and identity
Claire Tweedie, Former Editor in Chief
• October 15, 2023
“Eric Larue” review: Shoddy artistry upends an otherwise novel story of tragedy and faith
Sam Mroz, Contributing Writer
• October 15, 2023
DePaul’s Pillow Talk seminars: Destigmatizing sex education and fostering open conversations
Molly Tinkey, Contributing Writer
• October 8, 2023
Creepin’ it real: Where to celebrate Halloween in Chicago
Vanessa Lopez, Social Media Editor
• October 8, 2023
AI disrupts the art world, casting uncertainty over its future
Nadine DeCero, Social Media Editor
• October 8, 2023
Eras of Drake DeJamz
Una Cleary and Ryan Hinske
• October 8, 2023
DePaul Art Museum introduces new “Life Cycles” exhibit
Carly Witt, Opinions Editor
• October 8, 2023
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