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Much of modern comedy filmmaking is too concerned with being “funny.” Comedy filmmakers, talented as they can be, often default to aimless riffing in fear of losing a potential joke. In the process,...

For some of us, the Met Gala feels like an annual holiday party we’ll never be invited to. Falling on the first Monday in May every year, as attendees wear their designer custom made outfits, we watch...

There’s an emotional beat in David Leitch’s “The Fall Guy” in which Colt Seavers (Ryan Gosling) mourns the failure of a romantic relationship from his past. He sits in his car, unable to access...

A packed house at the Music Box Theater on April 26 waited in anticipation as a moderator tried to introduce the evening’s special guest: Vera Drew, the director/editor/star of “The People’s Joker.”...

“Civil War” is a beautifully grotesque war movie that reframes the political and violent implications of its storytelling toward journalists. In Alex Garland’s latest A24 blockbuster, he set out...

After two years of touring her sophomore album, “Five Seconds Flat,” Lizzy McAlpine makes a captivating return to deliver “Older,” her third album, which marks a significant departure from her...

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I’d like to pay tribute to the trailer editors out there. A good trailer serves as a mood piece that occupies a non-linear narrative; it has immense value as an exercise in form. While definitely not...

As Charlique Rolle and Vershawn Sanders-Ward took the stage Monday evening, bright screens displaying the African American Arts Alliance of Chicago logo started to slowly shift. New projections reading...

When the Covid-19 pandemic began, few industries lost their identity as quickly as the performing arts. Virtual performances took over across all forms of the arts, putting artists and those in the industry...

When it was announced that J.K. Rowling and her creative team John Tiffany and Jack Thorne would embark on a new medium for Harry Potter — a theater play — some were wary, some dismissive, and some...