
What does Trump’s targeting of ‘woke programming’ in the arts mean for Chicago’s artists?
Matt Ramsey, Contributing Writer
• March 10, 2025

Lilly’s Final DeJamz
Lilly Keller, Editor in Chief
• May 26, 2024

“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film
April Klein, Asst. Arts & Life Editor
• May 19, 2024

Met Gala review: Floral fantasies and archival designer dreams
Elizabeth Gregerson, Contributing Writer
• May 12, 2024

“The Fall Guy” review: Admirable passion buried under sloppy filmmaking
April Klein, Asst. Arts & Life Editor
• May 12, 2024

‘I can’t be telling other people’s stories anymore’: Trans filmmaker and DePaul alumna Vera Drew on “The People’s Joker”
April Klein, Asst. Arts & Life Editor
• May 5, 2024

“Civil War” review: A student journalist’s perspective
Claire Tweedie, Former Editor in Chief
• April 28, 2024

“Older” Review: A Melancholic symphony of emotion and evolution
Avery MacNab, Contributing Writer
• April 28, 2024

Bawlin’ Not Ballin’ DeJamz
Claire Tweedie, Former Editor in Chief
• April 28, 2024

“The First Omen” review: How I wish this wasn’t an “Omen” movie
April Klein, Asst. Arts & Life Editor
• April 21, 2024

Black Arts Month Kick-off brings a night of performances and new beginnings for the B.A.C.A.
Grace Vaughn, Contributing Writer
• October 15, 2023

DePaul MFA graduate named Joffrey Ballet’s assistant director of grants and partnerships
Nate Burleyson, Online Managing Editor
• May 2, 2021
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