‘The Substance’ review: A wild, nauseating body horror facemelter
Jake Panek, Arts & Life Beat Writer
• September 23, 2024
KiKi Layne’s love for the unexpected: DePaul Theater School alumni reflects on career and teachings amid “Dandelion” opening
Sam Mroz, Contributing Writer
• May 26, 2024
“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film
April Klein, Staff Writer
• May 19, 2024
“The Fall Guy” review: Admirable passion buried under sloppy filmmaking
April Klein, Staff Writer
• May 12, 2024
“Civil War” review: A student journalist’s perspective
Claire Tweedie, Former Editor in Chief
• April 28, 2024
“The First Omen” review: How I wish this wasn’t an “Omen” movie
April Klein, Staff Writer
• April 21, 2024
“The People’s Joker” review: Putting clown makeup on gender identity and calling it a parody
Claire Tweedie, Former Editor in Chief
• April 21, 2024
The cast and crew of “The Greatest Hits” on rehearsing, inspiration and finding the heart of a story
April Klein, Staff Writer
• April 21, 2024
Healing the spirit through film: DePaul grad student celebrates distribution of documentary feature
April Klein, Contributing Writer
• February 25, 2024
Torn legacies, tough audiences and a building controversy against the Golden Globes
Sam Mroz, Contributing Writer
• January 15, 2024
“Bottoms” review: fresh vision for teen sex comedy takes a big swing and unfortunately misses
April Klein, Contributing Writer
• September 10, 2023
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