Clear your afternoon with the ‘Settle In’ collection at Gene Siskel Film Center
Finn Morse, Theater Beat Writer
• January 20, 2025
Director, writer and star Kyle Mooney on growing up in the 90s and ‘Y2K’
April Klein, Asst. Arts & Life Editor
• December 19, 2024
‘Gladiator II’ review – A sequel 20-years in the making struggles to make a lasting impact
Alek Sacinski, Contributing Writer
• December 3, 2024
‘The Substance’ review: A wild, nauseating body horror facemelter
Jake Panek, Arts & Life Beat Writer
• September 23, 2024
KiKi Layne’s love for the unexpected: DePaul Theater School alumni reflects on career and teachings amid “Dandelion” opening
Sam Mroz, Contributing Writer
• May 26, 2024
“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film
April Klein, Asst. Arts & Life Editor
• May 19, 2024
“The Fall Guy” review: Admirable passion buried under sloppy filmmaking
April Klein, Asst. Arts & Life Editor
• May 12, 2024
‘I can’t be telling other people’s stories anymore’: Trans filmmaker and DePaul alumna Vera Drew on “The People’s Joker”
April Klein, Asst. Arts & Life Editor
• May 5, 2024
“Civil War” review: A student journalist’s perspective
Claire Tweedie, Former Editor in Chief
• April 28, 2024
“The First Omen” review: How I wish this wasn’t an “Omen” movie
April Klein, Asst. Arts & Life Editor
• April 21, 2024
“The People’s Joker” review: Putting clown makeup on gender identity and calling it a parody
Claire Tweedie, Former Editor in Chief
• April 21, 2024
The cast and crew of “The Greatest Hits” on rehearsing, inspiration and finding the heart of a story
April Klein, Asst. Arts & Life Editor
• April 21, 2024
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