KiKi Layne’s love for the unexpected: DePaul Theater School alumni reflects on career and teachings amid “Dandelion” opening
Sam Mroz, Arts & Life Editor
• May 26, 2024
“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film
Zachary Klein, Asst. Arts & Life Editor
• May 19, 2024
“The Fall Guy” review: Admirable passion buried under sloppy filmmaking
Zachary Klein, Asst. Arts & Life Editor
• May 12, 2024
‘I can’t be telling other people’s stories anymore’: Trans filmmaker and DePaul alumna Vera Drew on “The People’s Joker”
Zachary Klein, Asst. Arts & Life Editor
• May 5, 2024
“Civil War” review: A student journalist’s perspective
Claire Tweedie, Editor in Chief
• April 28, 2024
“The First Omen” review: How I wish this wasn’t an “Omen” movie
Zachary Klein, Asst. Arts & Life Editor
• April 21, 2024
“The People’s Joker” review: Putting clown makeup on gender identity and calling it a parody
Claire Tweedie, Editor in Chief
• April 21, 2024
The cast and crew of “The Greatest Hits” on rehearsing, inspiration and finding the heart of a story
Zachary Klein, Asst. Arts & Life Editor
• April 21, 2024
Healing the spirit through film: DePaul grad student celebrates distribution of documentary feature
Zachary Klein, Asst. Arts & Life Editor
• February 25, 2024
Torn legacies, tough audiences and a building controversy against the Golden Globes
Sam Mroz, Arts & Life Editor
• January 15, 2024
“Bottoms” review: fresh vision for teen sex comedy takes a big swing and unfortunately misses
Zachary Klein, Asst. Arts & Life Editor
• September 10, 2023
Cine local lanza películas latinoamericanas hechas por cineastas latinx
Maria Guerrero, La DePaulia Managing Editor
• February 18, 2020
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