“The First Omen” review: How I wish this wasn’t an “Omen” movie
Zachary Klein, Staff Writer
• April 21, 2024
“The People’s Joker” review: Putting clown makeup on gender identity and calling it a parody
Claire Tweedie, Content Managing Editor
• April 21, 2024
The cast and crew of “The Greatest Hits” on rehearsing, inspiration and finding the heart of a story
Zachary Klein, Staff Writer
• April 21, 2024
Healing the spirit through film: DePaul grad student celebrates distribution of documentary feature
Zachary Klein, Contributing Writer
• February 25, 2024
Torn legacies, tough audiences and a building controversy against the Golden Globes
Sam Mroz, Arts & Life Editor
• January 15, 2024
“Bottoms” review: fresh vision for teen sex comedy takes a big swing and unfortunately misses
Zachary Klein, Contributing Writer
• September 10, 2023
Cine local lanza películas latinoamericanas hechas por cineastas latinx
Maria Guerrero, La DePaulia Managing Editor
• February 18, 2020
A wake-up call to enjoy cinema
John Cotter
• February 5, 2020
Oscars predictions from The DePaulia’s chief film critic
Michael Brzezinski
• February 5, 2020
A Q&A with DePaul cinema studies professor Paul Booth
The DePaulia Staff
• February 5, 2020
Graduate directs DePaul’s first micro-funded feature film
Chinyere Ibeh, Music and Film Critic
• January 31, 2020
Noah Baumbach’s “Marriage Story” excels in realism, actors’ performances
Nate Burleyson, Online Managing Editor
• October 28, 2019
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