
‘Opus’ review: Can someone please put Ayo Edebiri in something good
April Klein, Asst. Arts & Life Editor
• March 10, 2025

‘The Monkey’ review: A decently gruesome but overbearingly snarky take on mortality
Jake Panek, Film & TV Beat Writer
• March 10, 2025

‘Presence’ review: You can only watch
April Klein, Asst. Arts & Life Editor
• February 3, 2025

‘Nosferatu’ review – Remake of horror classic casts writing on the wall
Finn Morse, Theater Beat Writer
• January 13, 2025

‘Cursed in Baja’ premiere shows the strength of the horror community
April Klein, Asst. Arts & Life Editor
• October 21, 2024

“I Saw the TV Glow” Review: Nostalgia and queer identity intersect in Jane Schoenbrun’s new psychological horror-drama.
Robin Pett, Contributing Writer
• May 26, 2024

“El Conde” review: Laughing all the way down to hell
April Klein, Asst. Arts & Life Editor
• October 8, 2023

An enthralling, ultraviolent revival of Nicolas Cage’s career
Daniel Schirmer, Contributing Writer
• September 17, 2018

Krasinski’s new must-see horror film
Garret Neal, Staff Writer
• April 9, 2018

“Thoroughbreds” is this year’s dark horse horror film
Lacey Latch, Editor-in-Chief
• March 23, 2018

Tales from Tinder
Isabella Brock, Contributing Writer
• February 19, 2018
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