Film & TV

‘Mickey 17’ review: Double the Pattinson, double the funny, double the mess
April Klein, Asst. Arts & Life Editor
• February 17, 2025

Talking about process with DePaul’s ‘Directors for Actors’
Alana Eve Schacher, Contributing Writer
• February 17, 2025

‘Grand Theft Hamlet’ review: A hysterical, inspiring documentary about art and community in a chaotic online world
Jake Panek, Film & TV Beat Writer
• February 17, 2025

‘Love Hurts’ review: Love stinks and so does this movie
Sam McCarthy, Contributing Writer
• February 10, 2025

Cartoons, advertising and Trump — The film industry in 2024 and beyond
April Klein, Asst. Arts & Life Editor
• February 3, 2025

‘Presence’ review: You can only watch
April Klein, Asst. Arts & Life Editor
• February 3, 2025

‘Wolf Man’ review: Mostly bark, very little bite
Sam McCarthy, Contributing Writer
• January 27, 2025

Clear your afternoon with the ‘Settle In’ collection at Gene Siskel Film Center
Finn Morse, Theater Beat Writer
• January 20, 2025

“Babygirl” Review – A Celebration of Flaws and Freedom
Grace Logan, Arts & Life Editor
• January 20, 2025

‘Nosferatu’ review – Remake of horror classic casts writing on the wall
Finn Morse, Theater Beat Writer
• January 13, 2025

I watched all the X-Men movies so you don’t have to
Amber Corkey, Copy Editor
• January 13, 2025
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