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The Student Newspaper of DePaul University

The DePaulia

The Student Newspaper of DePaul University

The DePaulia

The Student Newspaper of DePaul University

The DePaulia

Film & TV

'Nightbitch' review: A painful adaptation that belongs in the doghouse

‘Nightbitch’ review: A painful adaptation that belongs in the doghouse

Claire Tweedie, Former Editor in Chief October 30, 2024

When did we lose the art of subtlety? Somewhere buried in the hour-and-a-half run time of “Nightbitch” is a truly fascinating story about motherhood, but the film’s reality is a sad case of no show...

Director and star Jeff Daniel Phillips (left) gives a Q&A for his film "Cursed In Baja" with co-stars Kent Issacs (center) and Mark Fite (right). The screening was held at the Davis Theater on Oct. 15, 2024.

‘Cursed in Baja’ premiere shows the strength of the horror community

April Klein, Asst. Arts & Life Editor October 21, 2024

The screening for Jeff Daniel Phillips’ horror film “Cursed in Baja” was supposed to begin at 7:30 p.m. on Tuesday, October 15. As 8:03 p.m. rolled around, the director and star was still in the...

‘A Different Man’ review: Sebastian Stan and Adam Pearson play two sides of the same coin

‘A Different Man’ review: Sebastian Stan and Adam Pearson play two sides of the same coin

April Klein, Asst. Arts & Life Editor October 14, 2024

Aaron Schimberg’s “A Different Man” is about its own creation. Around halfway through the film, the character of Ingrid Vold (Renate Reinsve) discusses the ethics of casting her theater production...

‘Joker: Folie á Deux’ review: Todd Phillips should be disbarred from the Director’s Guild of America

‘Joker: Folie á Deux’ review: Todd Phillips should be disbarred from the Director’s Guild of America

April Klein, Asst. Arts & Life Editor October 7, 2024

The end of the 2010s were the apex of superhero popularity: everything from “Avengers: Endgame” to “Shazam!” were at the forefront of pop culture’s interaction with cinema. The first “Joker”...

‘The Wild Robot’: The best DreamWorks movie in 13 years

‘The Wild Robot’: The best DreamWorks movie in 13 years

Finn Morse, Theater Beat Writer October 7, 2024

DreamWorks Animation has had a mixed output of quality since their inception. Its hit-or-miss tendency hasn't stacked up against the competition within the animation industry, with Pixar and Disney swiping...

'Megalopolis' review: A baffling, unhinged epic unlike anything before or since

‘Megalopolis’ review: A baffling, unhinged epic unlike anything before or since

Jake Panek, Film & TV Beat Writer September 30, 2024

Let’s cut to the chase: there has never been anything like “Megalopolis,” and there will never be anything like it. Maybe there shouldn’t be. After all, no Hollywood filmmaker has ever set the...

A customer waits in the entryway of the Music Box Theater on Thursday, Sept. 19, 2024. The Theater holds daily showings of old and new films.

Preserving the past to ensure the future of moviegoing: Music Box Theatre ‘revives at 95’

Jake Panek, Arts & Life Beat Writer September 23, 2024

From the sight of a glowing canopy marquee, the smell of popcorn with real butter and the sound of an organ playing before the lights go down, one thing is immediately clear: going to the Music Box Theatre...

‘The Substance’ review: A wild, nauseating body horror facemelter

‘The Substance’ review: A wild, nauseating body horror facemelter

Jake Panek, Arts & Life Beat Writer September 23, 2024

Activate only once. Stabilize every day. Switch every seven days, without exception. The one and only thing not to forget: you are one. You can’t escape from yourself. These are the instructions given...

“Beetlejuice Beetlejuice” review: A delightfully spooky return to form for Tim Burton

“Beetlejuice Beetlejuice” review: A delightfully spooky return to form for Tim Burton

Jake Panek, Arts & Life Beat Writer September 16, 2024

Not that I was alive (or at least conscious) to remember it, but there was a time where the words “Directed by Tim Burton” truly meant something. Seeing Burton’s name on a project used to immediately...

“I Saw the TV Glow” Review: Nostalgia and queer identity intersect in Jane Schoenbrun’s new psychological horror-drama.

“I Saw the TV Glow” Review: Nostalgia and queer identity intersect in Jane Schoenbrun’s new psychological horror-drama.

Robin Pett, Contributing Writer May 26, 2024

In the films of director Jane Schoenbrun, screens and the media displayed on them act as a separating force between the “real” world and the true identity of the characters within it. If Schoenbrun’s...

Kiki Layne performs in a Theater school production of "Arabian Nights" in 2013. Layne would graduate from the conservatory in 2014.

KiKi Layne’s love for the unexpected: DePaul Theater School alumni reflects on career and teachings amid “Dandelion” opening

Sam Mroz, Contributing Writer May 26, 2024

KiKi Layne, a Cincinnati native and DePaul alumna, has spent years building her craft as an actor. After graduating from The Theater School in 2014, she would coast across Chicago’s performance scene,...

“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film

“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film

April Klein, Asst. Arts & Life Editor May 19, 2024

Much of modern comedy filmmaking is too concerned with being “funny.” Comedy filmmakers, talented as they can be, often default to aimless riffing in fear of losing a potential joke. In the process,...

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