Arts/Life
“Babygirl” Review – A Celebration of Flaws and Freedom
Grace Logan, Arts & Life Editor
• January 20, 2025
Two sides of the turntable: Underground raves can be rewarding, but also dangerous for DJs
Aubreonna Chamberlain, Contributing Writer
• January 13, 2025
Forget everything I said DeJamz
Lucia Preziosi, Editor in Chief
• January 13, 2025
Duo in harmony: Mark Maxwell and Anne Waller bring 19th-century guitar to life
Grace Logan, Arts & Life Editor
• January 13, 2025
What’s with texting now these days? Just answer already!
Lindsay Freiburger, Contributing Writer
• January 13, 2025
‘Nosferatu’ review – Remake of horror classic casts writing on the wall
Finn Morse, Theater Beat Writer
• January 13, 2025
I watched all the X-Men movies so you don’t have to
Amber Corkey, Copy Editor
• January 13, 2025
Director, writer and star Kyle Mooney on growing up in the 90s and ‘Y2K’
April Klein, Asst. Arts & Life Editor
• December 19, 2024
‘Y2K’ review – A satirical trek through the end of the millennium drowns in its own ambition
April Klein, Asst. Arts & Life Editor
• December 17, 2024
Riley Sommers: Second City cowgirl
Lina Gebhardt, Multimedia Editor
• December 10, 2024
‘Gladiator II’ review – A sequel 20-years in the making struggles to make a lasting impact
Alek Sacinski, Contributing Writer
• December 3, 2024
‘Wicked’ review – Cynthia Erivo and Ariana Grande transform this classic musical
Karidja Monjolo, Contributing Writer
• December 3, 2024
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