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Michael Brzezinski
All content by Michael Brzezinski
REVIEW: ‘Locked Down’ is a misfire of a cheap pandemic film
Michael Brzezinski
January 24, 2021
The top 10 best movies of 2020
Michael Brzezinski
January 10, 2021
REVIEW: ‘Mank’ is a thought-provoking look into one of history’s greatest films
Michael Brzezinski
November 15, 2020
REVIEW: Future of indie films on display in ‘S#!%house’
Michael Brzezinski
October 18, 2020
REVIEW: ‘Nomadland’ is a soulful exploration of humanity
Michael Brzezinski
October 11, 2020
REVIEW: ‘Possessor’ merges great concept with a wonderful cast
Michael Brzezinski
October 4, 2020
REVIEW: Sofia Coppola continues her legacy of quality with ‘On the Rocks’
Michael Brzezinski
October 4, 2020
Chicago International Film Festival goes virtual
Michael Brzezinski
October 4, 2020
REVIEW: ‘The Trial of the Chicago 7’ is an uninspired— but important— retelling
Michael Brzezinski
September 27, 2020
REVIEW: ‘Kajillionaire’ masterfully portrays dysfunctional family
Michael Brzezinski
September 20, 2020
REVIEW: ‘Portrait of a Lady on Fire’ is ‘utopia of femininity’
Michael Brzezinski
February 16, 2020
What to look out for at the Berlin Film Festival
Michael Brzezinski
February 16, 2020
Sundance Film Festival: The DePaulia’s chief film critic’s takeaways
Michael Brzezinski
February 9, 2020
Oscars predictions from The DePaulia’s chief film critic
Michael Brzezinski
February 5, 2020
10 best movies of 2019
Michael Brzezinski
and
Michael Edicola
January 12, 2020
End of the decade: best movies of the 2010s
Michael Brzezinski
December 28, 2019
‘Doctor Sleep’ understands recovery, but slightly misses mark
Michael Brzezinski
November 11, 2019
‘The Irishman’ highlight’s director Martin Scorsese’s continued success
Michael Brzezinski
November 11, 2019
Here are the top horror flicks showing around Chicago this spooky season
Michael Brzezinski
October 7, 2019
James Gray’s ‘Ad Astra’ explores the nuance of the human psyche
Michael Brzezinski
September 30, 2019
A look at what’s coming to Chicago from the Toronto International Film Festival
Michael Brzezinski
September 23, 2019
Coming-of-age film ‘Blinded by the Light’ will bring audiences together
Michael Brzezinski
August 20, 2019
A conversation with the creators of “The Last Black Man in San Francisco”
Michael Brzezinski
June 17, 2019
What’s Fresh on Netflix
Michael Brzezinski
June 3, 2019
‘Booksmart’: a teen comedy that breaks from tradition
Michael Brzezinski
May 20, 2019
‘Saint Frances’ tackles abortion issues with authenticity, wit
Michael Brzezinski
May 17, 2019
‘Long Day’s Journey Into Night’ takes noir to new heights
Michael Brzezinski
May 13, 2019
‘Hamilton’: from stage to Chicago
Michael Brzezinski
May 6, 2019
Original, inventive & in theaters now
Michael Brzezinski
April 22, 2019
Music Box to host independent film retrospectives
Michael Brzezinski
March 17, 2019
What’s Fresh on Netflix
Michael Brzezinski
March 4, 2019
The Twilight Zone: Jordan Peele takes reins of new reboot
Michael Brzezinski
February 25, 2019
Oscars Predictions
Michael Brzezinski
February 18, 2019
Festival Favorites
Michael Brzezinski
February 11, 2019
Oscars roundup: short films
Michael Brzezinski
February 4, 2019
Nominations point to progress problems
Michael Brzezinski
January 28, 2019
Five reasons to see ‘Destroyer’
Michael Brzezinski
January 22, 2019
Golden Globes disappoints, still shocks
Michael Brzezinski
January 14, 2019
Peter Hedges creates poignant family portrait in ‘Ben is Back’
Michael Brzezinski
December 14, 2018
‘Widows’ is thrilling female-led heist
Michael Brzezinski
December 3, 2018
‘Suspiria’ is feat of epic filmmaking
Michael Brzezinski
November 12, 2018
Actor Wyatt Russell on genre-bending film
Michael Brzezinski
November 12, 2018
Orson Welles cements legacy with final film 40 years in the making
Michael Brzezinski
November 5, 2018
‘The Front Runner’ Director Jason Reitman on true story’s relevance
Michael Brzezinski
November 5, 2018
McCarthy shines in ‘Can You Ever Forgive Me?’
Michael Brzezinski
October 29, 2018
‘Haunting of Hill House’ is complex, artistic adaptation
Michael Brzezinski
October 29, 2018
Netflix’s Cinematic Rebranding Takes Off
Michael Brzezinski
October 15, 2018
“The Sisters Brothers” breathes life into dusty Wild West
Michael Brzezinski
October 8, 2018
CDM and the Music Box celebrate Golden Age Horror
Michael Brzezinski
October 8, 2018
Courier 12: Screenwriting conference sees biggest year yet
Michael Brzezinski
October 1, 2018
Michael Moore’s impassioned battle cry
Michael Brzezinski
October 1, 2018
“The Land of Steady Habits” is sobering, sad win for Netflix
Michael Brzezinski
September 24, 2018
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