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The Student Newspaper of DePaul University

The DePaulia

The Student Newspaper of DePaul University

The DePaulia

The Student Newspaper of DePaul University

The DePaulia

‘In the Lost Lands’ Review — Style over substance, as per usual

‘In the Lost Lands’ Review — Style over substance, as per usual

Alek Sacinski, Contributing Writer March 10, 2025

Paul William Scott Anderson’s fifteenth film “In the Lost Lands” combines his signature post-apocalyptic charm with fantastical set pieces, and a bare-bones script that throws everything on the table....

‘The Monkey’ review: A decently gruesome but overbearingly snarky take on mortality

‘The Monkey’ review: A decently gruesome but overbearingly snarky take on mortality

Jake Panek, Film & TV Beat Writer March 10, 2025

I’d like to preface this review with something Belgian director Chantal Akerman once said about mainstream audiences’ responses to her avant-garde films: “When most people go to the movies, the...

‘Mickey 17’ review: Double the Pattinson, double the funny, double the mess

‘Mickey 17’ review: Double the Pattinson, double the funny, double the mess

April Klein, Asst. Arts & Life Editor February 17, 2025

There were many concerns going into Bong Joon-ho’s “Mickey 17.” His return to filmmaking after his landmark 2019 drama “Parasite” was to be a dark sci-fi comedy under Warner Brothers, an adaptation...

‘Grand Theft Hamlet’ review: A hysterical, inspiring documentary about art and community in a chaotic online world

‘Grand Theft Hamlet’ review: A hysterical, inspiring documentary about art and community in a chaotic online world

Jake Panek, Film & TV Beat Writer February 17, 2025

Of every video game that I’ve sunk hundreds of hours into and pulled plenty of all-nighters on with friends over the years, few have as dear a place in my heart as Grand Theft Auto V. The second-bestselling...

‘Wolf Man’ review: Mostly bark, very little bite

‘Wolf Man’ review: Mostly bark, very little bite

Sam McCarthy, Contributing Writer January 27, 2025

Leigh Whannell’s “Wolf Man” takes a daring swing in the reinvention of the classic creature feature, a similar swing he took with mad scientists in his 2020 Blumhouse reboot, “The Invisible Man.”...

“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film

“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film

April Klein, Asst. Arts & Life Editor May 19, 2024

Much of modern comedy filmmaking is too concerned with being “funny.” Comedy filmmakers, talented as they can be, often default to aimless riffing in fear of losing a potential joke. In the process,...

“The Fall Guy” review: Admirable passion buried under sloppy filmmaking

“The Fall Guy” review: Admirable passion buried under sloppy filmmaking

April Klein, Asst. Arts & Life Editor May 12, 2024

There’s an emotional beat in David Leitch’s “The Fall Guy” in which Colt Seavers (Ryan Gosling) mourns the failure of a romantic relationship from his past. He sits in his car, unable to access...

“The First Omen” review: How I wish this wasn’t an “Omen” movie

“The First Omen” review: How I wish this wasn’t an “Omen” movie

April Klein, Asst. Arts & Life Editor April 21, 2024

I’d like to pay tribute to the trailer editors out there. A good trailer serves as a mood piece that occupies a non-linear narrative; it has immense value as an exercise in form. While definitely not...

Cooper Raiff directed, wrote and stars in the film “Shithouse” as a college freshmen who goes to a party with an older girl.

REVIEW: Future of indie films on display in ‘S#!%house’

Michael Brzezinski October 18, 2020

There is always something distinctly exciting about going in to view a fresh filmmaker’s very critically acclaimed directorial debut. There’s always the lingering possibility that whoever this new...

Still of John David Washington in "Tenet," directed by Christopher Nolan.

REVIEW: In conversation with ‘Tenet’ star John David Washington

John Cotter September 6, 2020

“Tenet” opens with an opera house heist mission. The packed, maskless audience on-screen makes for an apprehensive mood within the Covid context. An interesting duality that only presents itself when...

Lovie Simone as the titular Selah in "Selah and the Spades."

REVIEW: ‘Selah and the Spades’ tackles intense themes in coming-of-age drama

Alayne Trinko, Focus Editor August 4, 2020

Walking through the halls of The Haldwell School for Boarding and Day School, students of the 5 factions lurk in the social shadows, wait for a reason to pounce in order to preserve their power and control...

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