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DePaul's student-run newspaper since 1923
DePaul's Student Newspaper — Since 1923

The DePaulia

DePaul's Student Newspaper — Since 1923

The DePaulia

DePaul's Student Newspaper — Since 1923

The DePaulia

‘In the Lost Lands’ Review — Style over substance, as per usual

‘In the Lost Lands’ Review — Style over substance, as per usual

Alek Sacinski, Contributing Writer / March 10, 2025

Paul William Scott Anderson’s fifteenth film “In the Lost Lands” combines his signature post-apocalyptic charm with fantastical set pieces, and a bare-bones script that throws everything on the table....

‘The Monkey’ review: A decently gruesome but overbearingly snarky take on mortality

‘The Monkey’ review: A decently gruesome but overbearingly snarky take on mortality

Jake Panek, Film & TV Beat Writer / March 10, 2025

I’d like to preface this review with something Belgian director Chantal Akerman once said about mainstream audiences’ responses to her avant-garde films: “When most people go to the movies, the...

‘Mickey 17’ review: Double the Pattinson, double the funny, double the mess

‘Mickey 17’ review: Double the Pattinson, double the funny, double the mess

April Klein, Asst. Arts & Life Editor / February 17, 2025

There were many concerns going into Bong Joon-ho’s “Mickey 17.” His return to filmmaking after his landmark 2019 drama “Parasite” was to be a dark sci-fi comedy under Warner Brothers, an adaptation...

‘Grand Theft Hamlet’ review: A hysterical, inspiring documentary about art and community in a chaotic online world

‘Grand Theft Hamlet’ review: A hysterical, inspiring documentary about art and community in a chaotic online world

Jake Panek, Film & TV Beat Writer / February 17, 2025

Of every video game that I’ve sunk hundreds of hours into and pulled plenty of all-nighters on with friends over the years, few have as dear a place in my heart as Grand Theft Auto V. The second-bestselling...

‘Wolf Man’ review: Mostly bark, very little bite

‘Wolf Man’ review: Mostly bark, very little bite

Sam McCarthy, Contributing Writer / January 27, 2025

Leigh Whannell’s “Wolf Man” takes a daring swing in the reinvention of the classic creature feature, a similar swing he took with mad scientists in his 2020 Blumhouse reboot, “The Invisible Man.”...

“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film

“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film

April Klein, Asst. Arts & Life Editor / May 19, 2024

Much of modern comedy filmmaking is too concerned with being “funny.” Comedy filmmakers, talented as they can be, often default to aimless riffing in fear of losing a potential joke. In the process,...

“The Fall Guy” review: Admirable passion buried under sloppy filmmaking

“The Fall Guy” review: Admirable passion buried under sloppy filmmaking

April Klein, Asst. Arts & Life Editor / May 12, 2024

There’s an emotional beat in David Leitch’s “The Fall Guy” in which Colt Seavers (Ryan Gosling) mourns the failure of a romantic relationship from his past. He sits in his car, unable to access...

“The First Omen” review: How I wish this wasn’t an “Omen” movie

“The First Omen” review: How I wish this wasn’t an “Omen” movie

April Klein, Asst. Arts & Life Editor / April 21, 2024

I’d like to pay tribute to the trailer editors out there. A good trailer serves as a mood piece that occupies a non-linear narrative; it has immense value as an exercise in form. While definitely not...

Cooper Raiff directed, wrote and stars in the film “Shithouse” as a college freshmen who goes to a party with an older girl.

REVIEW: Future of indie films on display in ‘S#!%house’

Michael Brzezinski / October 18, 2020

There is always something distinctly exciting about going in to view a fresh filmmaker’s very critically acclaimed directorial debut. There’s always the lingering possibility that whoever this new...

Still of John David Washington in "Tenet," directed by Christopher Nolan.

REVIEW: In conversation with ‘Tenet’ star John David Washington

John Cotter / September 6, 2020

“Tenet” opens with an opera house heist mission. The packed, maskless audience on-screen makes for an apprehensive mood within the Covid context. An interesting duality that only presents itself when...

Lovie Simone as the titular Selah in "Selah and the Spades."

REVIEW: ‘Selah and the Spades’ tackles intense themes in coming-of-age drama

Alayne Trinko, Focus Editor / August 4, 2020

Walking through the halls of The Haldwell School for Boarding and Day School, students of the 5 factions lurk in the social shadows, wait for a reason to pounce in order to preserve their power and control...

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