Film & TV
“The Fall Guy” review: Admirable passion buried under sloppy filmmaking
April Klein, Asst. Arts & Life Editor
• May 12, 2024
‘I can’t be telling other people’s stories anymore’: Trans filmmaker and DePaul alumna Vera Drew on “The People’s Joker”
April Klein, Asst. Arts & Life Editor
• May 5, 2024
“Civil War” review: A student journalist’s perspective
Claire Tweedie, Former Editor in Chief
• April 28, 2024
“Challengers” Press Conference: The Actors, Director and Producers behind Amazon MGM’s latest sports drama
Sam Mroz, Contributing Writer
• April 28, 2024
“The First Omen” review: How I wish this wasn’t an “Omen” movie
April Klein, Asst. Arts & Life Editor
• April 21, 2024
“The People’s Joker” review: Putting clown makeup on gender identity and calling it a parody
Claire Tweedie, Former Editor in Chief
• April 21, 2024
The cast and crew of “The Greatest Hits” on rehearsing, inspiration and finding the heart of a story
April Klein, Asst. Arts & Life Editor
• April 21, 2024
“Challengers” review: Competition is a dish best served in threes
Sam Mroz, Contributing Writer
• April 14, 2024
“Monkey Man” review: An action movie with a very bloody heart
April Klein, Asst. Arts & Life Editor
• April 14, 2024
“Late Night With the Devil” review: An on air horror classic long after the broadcast
Claire Tweedie, Former Editor in Chief
• April 7, 2024
DePaul Alumnus David Dastmalchian on his journey to stardom and ‘Late Night With The Devil’
April Klein, Asst. Arts & Life Editor
• March 3, 2024
Learning through doing: Looking behind the scenes at John Musker’s visit to DePaul
April Klein, Asst. Arts & Life Editor
• March 3, 2024
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