Film & TV
Healing the spirit through film: DePaul grad student celebrates distribution of documentary feature
April Klein, Asst. Arts & Life Editor
• February 25, 2024
Teaming up with Team Deakins: DePaul hosts weekend of insight, instruction with cinematographer
Linnea Cheng, Contributing Writer
• February 18, 2024
“Mean Girls” review: The movie musical adaptation can sit with us
Nadia Carolina Hernandez and Jake Cox
• January 28, 2024
Beat the cold with these Chicago and home-based activities
Vanessa Lopez, Social Media Editor
• January 21, 2024
Changing tastes, new futures: The state of the domestic box office in 2023
April Klein, Asst. Arts & Life Editor
• January 21, 2024
Torn legacies, tough audiences and a building controversy against the Golden Globes
Sam Mroz, Contributing Writer
• January 15, 2024
‘Poor Things’ review: A technicolor take on oddity and identity
Claire Tweedie, Former Editor in Chief
• January 15, 2024
“Eileen” filmmakers talk story, structure and surprises behind cinematic adaptation
Sam Mroz, Contributing Writer
• December 6, 2023
“The Killer” review: A thriller as obvious as it is effective
Sam Mroz, Contributing Writer
• November 5, 2023
“Evil Does Not Exist”: A tranquil coasting across the vanity of mankind
Sam Mroz, Contributing Writer
• October 22, 2023
“Sweet Dreams”: A biting perspective on colonization that stings and surprises
Claire Tweedie, Former Editor in Chief
• October 22, 2023
“Monster”: A quiet look at the complexity of boyhood and the monsters behind it
Claire Tweedie, Former Editor in Chief
• October 22, 2023
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