Film & TV

“I Saw the TV Glow” Review: Nostalgia and queer identity intersect in Jane Schoenbrun’s new psychological horror-drama.
Robin Pett, Contributing Writer
• May 26, 2024

KiKi Layne’s love for the unexpected: DePaul Theater School alumni reflects on career and teachings amid “Dandelion” opening
Sam Mroz, Contributing Writer
• May 26, 2024

“Stress Positions” review – Theda Hammel stuns with 2024’s funniest film
April Klein, Asst. Arts & Life Editor
• May 19, 2024

“The Fall Guy” review: Admirable passion buried under sloppy filmmaking
April Klein, Asst. Arts & Life Editor
• May 12, 2024

‘I can’t be telling other people’s stories anymore’: Trans filmmaker and DePaul alumna Vera Drew on “The People’s Joker”
April Klein, Asst. Arts & Life Editor
• May 5, 2024

“Civil War” review: A student journalist’s perspective
Claire Tweedie, Former Editor in Chief
• April 28, 2024

“Challengers” Press Conference: The Actors, Director and Producers behind Amazon MGM’s latest sports drama
Sam Mroz, Contributing Writer
• April 28, 2024

“The First Omen” review: How I wish this wasn’t an “Omen” movie
April Klein, Asst. Arts & Life Editor
• April 21, 2024

“The People’s Joker” review: Putting clown makeup on gender identity and calling it a parody
Claire Tweedie, Former Editor in Chief
• April 21, 2024

The cast and crew of “The Greatest Hits” on rehearsing, inspiration and finding the heart of a story
April Klein, Asst. Arts & Life Editor
• April 21, 2024

“Challengers” review: Competition is a dish best served in threes
Sam Mroz, Contributing Writer
• April 14, 2024

“Monkey Man” review: An action movie with a very bloody heart
April Klein, Asst. Arts & Life Editor
• April 14, 2024
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