While the idea of the vampire has been an omnipresent cultural fascination since Bram Stoker’s “Dracula” debuted in 1897, there’s been a noted fixation on the monster in recent years. Long gone...

In the pilot episode of Seth Rogen’s new Apple TV+ series “The Studio,” Rogen plays the newly-appointed creative chief of the fictional Continental Pictures, who’s given a ludicrous mandate from...

Director Mark Anthony Green sat down with three college journalists on Wednesday, March 5, to answer questions about his new comedy/thriller film “Opus.” Green, himself a former journalist at GQ, was...

Eight-time Grammy Award-winning artist FINNEAS took the stage at the sold out show at Salt Shed in Chicago on Wednesday, Feb. 26. Opening for the musician was the Los Angeles-based band Bad Suns, with...

There were many concerns going into Bong Joon-ho’s “Mickey 17.” His return to filmmaking after his landmark 2019 drama “Parasite” was to be a dark sci-fi comedy under Warner Brothers, an adaptation...

While a movie or photograph can be physically kept until the end of time, the experience of live theater can never be replicated. No matter the show, that performance you watch live will never be recreated...

Of every video game that I’ve sunk hundreds of hours into and pulled plenty of all-nighters on with friends over the years, few have as dear a place in my heart as Grand Theft Auto V. The second-bestselling...

Ouch. “Love Hurts,” indeed.  Hollywood loves a comeback, but few have felt as genuinely moving as Key Huy Quan’s triumphant return to screen. Decades after “Indiana Jones and the Temple of Doom,”...

CW: This piece briefly discusses sexual harassment and assault.   A few weeks ago, I was sexually harassed for the first time. I boarded a Red Line train midday on a Tuesday. Shortly after I...

I don’t know a thing about superheroes. I think I’ve seen three Marvel movies, and I can’t even tell you which ones. But somehow, I ended up on the receiving end of a very long Wolverine info dump...

There’s nothing more embarrassing than bad comedy. A horror which fails to scare its audience may at least result in a mocking enjoyment of its attempts at gravitas (see “Wish Upon.”) The same goes...