Reviews
‘Y2K’ review – A satirical trek through the end of the millennium drowns in its own ambition
April Klein, Arts & Life Assistant Editor
• December 17, 2024
‘Gladiator II’ review – A sequel 20-years in the making struggles to make a lasting impact
Alek Sacinski, Contributing Writer
• December 3, 2024
‘Wicked’ review – Cynthia Erivo and Ariana Grande transform this classic musical
Karidja Monjolo, Contributing Writer
• December 3, 2024
‘A Different Man’ review: Sebastian Stan and Adam Pearson play two sides of the same coin
April Klein, Arts & Life Assistant Editor
• October 14, 2024
‘Joker: Folie á Deux’ review: Todd Phillips should be disbarred from the Director’s Guild of America
April Klein, Arts & Life Assistant Editor
• October 7, 2024
‘The Wild Robot’: The best DreamWorks movie in 13 years
Finn Morse, Theater Beat Writer
• October 7, 2024
‘Megalopolis’ review: A baffling, unhinged epic unlike anything before or since
Jake Panek, Film & TV Beat Writer
• September 30, 2024
All eyes on the wise of heart: ‘Inherit The Wind’ at Goodman Theatre
Finn Morse, Theater Beat Writer
• September 30, 2024
‘The Substance’ review: A wild, nauseating body horror facemelter
Jake Panek, Arts & Life Beat Writer
• September 23, 2024
‘The Outsiders’ Review – Staying Gold at The Athenaeum
Finn Morse, Arts & Life Beat Writer
• September 23, 2024
“Beetlejuice Beetlejuice” review: A delightfully spooky return to form for Tim Burton
Jake Panek, Arts & Life Beat Writer
• September 16, 2024
“I Saw the TV Glow” Review: Nostalgia and queer identity intersect in Jane Schoenbrun’s new psychological horror-drama.
Robin Pett, Contributing Writer
• May 26, 2024
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