Arts/Life

‘This is Cinema: Gene Siskel Film Center features Powell & Pressburger’
Finn Morse, Theater Beat Writer
• November 16, 2024

‘Light on the darkness’: Comedian Randy Rainbow talks political satire and musical theater at the Chicago Humanities Festival
Isabel Riley, Contributing Writer
• November 16, 2024

‘Little Women’ at The Theatre School: The pressure and power behind a play adaptation
Sam Mroz, Contributing Writer
• November 8, 2024

Basketball season is here DeJamz
Peyton Hopp and Ryan Hinske
• November 4, 2024

‘The Piano Lesson’ review: A haunting past crafts a captivating film
Claire Tweedie, Former Editor in Chief
• October 31, 2024

‘Hard Truths’ review: Mike Leigh’s brutally honest yet kind drama stuns
April Klein, Asst. Arts & Life Editor
• October 31, 2024

‘Flow’ review: Give it some apPAWse
Grace Logan, Arts & Life Editor
• October 31, 2024

‘Grand Tour’ review: Yearning for meaning across time and space
April Klein, Asst. Arts & Life Editor
• October 31, 2024

‘The End’ review: A scattershot opera of acceptance and forgiveness after the apocalypse
Jake Panek, Film & TV Beat Writer
• October 30, 2024

‘Desire Lines’ review: Half-documentary half-queer drama gets close to greatness
April Klein, Asst. Arts & Life Editor
• October 30, 2024

‘All We Imagine as Light’ review: A lyrical and meditative masterpiece of sisterhood and longing
Jake Panek, Film & TV Beat Writer
• October 30, 2024

‘Nightbitch’ review: A painful adaptation that belongs in the doghouse
Claire Tweedie, Former Editor in Chief
• October 30, 2024
Load More Stories
NEWSLETTER SIGN-UP
