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The Student Newspaper of DePaul University

The DePaulia

The Student Newspaper of DePaul University

The DePaulia

The Student Newspaper of DePaul University

The DePaulia

'The Piano Lesson' review: A haunting past crafts a captivating film

‘The Piano Lesson’ review: A haunting past crafts a captivating film

Claire Tweedie, Former Editor in Chief October 31, 2024

“The Piano Lesson” is a theatrical play masquerading as a movie. Based on the 1987 play by August Wilson, the film adaptation is proof that sticking to a story’s theatrical roots can pay off on screen...

‘Hard Truths’ review: Mike Leigh’s brutally honest yet kind drama stuns

‘Hard Truths’ review: Mike Leigh’s brutally honest yet kind drama stuns

April Klein, Asst. Arts & Life Editor October 31, 2024

Mike Leigh’s “Hard Truths” is a strikingly empathetic portrait of people on the fringes of society while simultaneously being in the midst of it. Re-teaming with Leigh twenty-eight years after their...

'Flow' review: Give it some apPAWse

‘Flow’ review: Give it some apPAWse

Grace Logan, Arts & Life Editor October 31, 2024

Wow! Not sure what else to say. This was my first experience with Gints Zilbalodis’ work – Latvian filmmaker, animator and director of “Flow” – and I can confidently say that I am a fan. “Flow”...

'Grand Tour' review: Yearning for meaning across time and space

‘Grand Tour’ review: Yearning for meaning across time and space

April Klein, Asst. Arts & Life Editor October 31, 2024

Flashes of the past and present are overlaid on top of one another throughout “Grand Tour.” A dance of motorcycles swirling around a roundabout is played simultaneously with footage of the Chinese...

‘The End’ review: A scattershot opera of acceptance and forgiveness after the apocalypse

‘The End’ review: A scattershot opera of acceptance and forgiveness after the apocalypse

Jake Panek, Film & TV Beat Writer October 30, 2024

A post-apocalyptic anti-musical overwhelmed with guilt and grief, Joshua Oppenheimer’s “The End” follows a billionaire family and the cracks that start to form when a young woman shows up in the...

'Desire Lines' review: Half-documentary half-queer drama gets close to greatness

‘Desire Lines’ review: Half-documentary half-queer drama gets close to greatness

April Klein, Asst. Arts & Life Editor October 30, 2024

The rarity of something like Jules Rosskam’s “Desire Lines” is reason enough for its existence. Woven in-between talking heads interviews with gay trans men speaking frankly about their experiences...

‘All We Imagine as Light’ review: A lyrical and meditative masterpiece of sisterhood and longing

‘All We Imagine as Light’ review: A lyrical and meditative masterpiece of sisterhood and longing

Jake Panek, Film & TV Beat Writer October 30, 2024

The first narrative film from Indian director Payal Kapadia, “All We Imagine as Light” is a spellbinding story of two nurses who share an apartment in Mumbai and a sisterhood forged amidst their respective...

'Nightbitch' review: A painful adaptation that belongs in the doghouse

‘Nightbitch’ review: A painful adaptation that belongs in the doghouse

Claire Tweedie, Former Editor in Chief October 30, 2024

When did we lose the art of subtlety? Somewhere buried in the hour-and-a-half run time of “Nightbitch” is a truly fascinating story about motherhood, but the film’s reality is a sad case of no show...

“Evil Does Not Exist”: A tranquil coasting across the vanity of mankind

“Evil Does Not Exist”: A tranquil coasting across the vanity of mankind

Sam Mroz, Contributing Writer October 22, 2023

An idyllic Japanese village stokes the fire of morality as “Evil Does Not Exist” effortlessly shows the harm of systemic invasion and personal abuse. Locals are content in an undisturbed community...

“Sweet Dreams”: A biting perspective on colonization that stings and surprises

“Sweet Dreams”: A biting perspective on colonization that stings and surprises

Claire Tweedie, Former Editor in Chief October 22, 2023

Buried under an overwhelming tone of hatred and satire, “Sweet Dreams” is a critical look at Dutch colonization and how our history continues to impact our present. While the narrative has a visually...

“Monster”: A quiet look at the complexity of boyhood and the monsters behind it

“Monster”: A quiet look at the complexity of boyhood and the monsters behind it

Claire Tweedie, Former Editor in Chief October 22, 2023

“Monster” is a misleading title for a gentle drama that will leave you sobbing, even as you admire its beauty and intricacy. Director Hirokazu Koreeda succeeds once again in crafting an ambling masterpiece...

“La Chimera": Grave robbing plays as pastime to a dense reflection of lost love

“La Chimera”: Grave robbing plays as pastime to a dense reflection of lost love

Sam Mroz, Contributing Writer October 22, 2023

“La Chimera” is a story of shackles, as tender performances expose a deep yearning for the past and the crushing weight it levels on life thereafter. Following a recently paroled grave robber named...

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