‘The Piano Lesson’ review: A haunting past crafts a captivating film
Claire Tweedie, Former Editor in Chief
• October 31, 2024
‘Hard Truths’ review: Mike Leigh’s brutally honest yet kind drama stuns
April Klein, Asst. Arts & Life Editor
• October 31, 2024
‘Flow’ review: Give it some apPAWse
Grace Logan, Arts & Life Editor
• October 31, 2024
‘Grand Tour’ review: Yearning for meaning across time and space
April Klein, Asst. Arts & Life Editor
• October 31, 2024
‘The End’ review: A scattershot opera of acceptance and forgiveness after the apocalypse
Jake Panek, Film & TV Beat Writer
• October 30, 2024
‘Desire Lines’ review: Half-documentary half-queer drama gets close to greatness
April Klein, Asst. Arts & Life Editor
• October 30, 2024
‘All We Imagine as Light’ review: A lyrical and meditative masterpiece of sisterhood and longing
Jake Panek, Film & TV Beat Writer
• October 30, 2024
‘Nightbitch’ review: A painful adaptation that belongs in the doghouse
Claire Tweedie, Former Editor in Chief
• October 30, 2024
“Evil Does Not Exist”: A tranquil coasting across the vanity of mankind
Sam Mroz, Contributing Writer
• October 22, 2023
“Sweet Dreams”: A biting perspective on colonization that stings and surprises
Claire Tweedie, Former Editor in Chief
• October 22, 2023
“Monster”: A quiet look at the complexity of boyhood and the monsters behind it
Claire Tweedie, Former Editor in Chief
• October 22, 2023
“La Chimera”: Grave robbing plays as pastime to a dense reflection of lost love
Sam Mroz, Contributing Writer
• October 22, 2023
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