Film & TV
Based on a shockingly true story, “Roofman” charms audiences into cheering for the underdog, despite his criminal behavior.
DePaul alum and YouTuber Karsten Runquist wraps on latest short film
The filmmaker, sporting over 700 thousand subscribers on YouTube, finished production on “Rancho Mirage” back in August.
The History of Sound review: What sounds promising falls flat in execution
This romantic drama between Paul Mescal and Josh O’Connor has lofty aspirations to tell a story about love through music, but ends up a dull mess.
DePaul lands a top 10 film school ranking. But do students agree?
Film students from around the country weigh the pros and cons of DePaul’s film program and if it deserves to be ranked nationally.
Behind the battle for ‘One Battle After Another’
The latest film from acclaimed filmmaker Paul Thomas Anderson is his largest in scope yet.
‘One Battle After Another’ review: Paul Thomas Anderson’s multi-genre joy ride is generational
Paul Thomas Anderson’s political action film is a masterwork of modern times, tackling the world as it is now without being overwrought.
AI screenwriting course stirs discourse amid industry changes
Associate professor of screenwriting Matthew Quinn has come under criticism for his introduction of the class, which attempts to teach students how to use AI as a tool for creating screenplays.
Chicago International Film Festival unveils full lineup for 2025 season
The 61st annual Chicago International Film Festival (CIFF) is teed up for a knockout lineup this fall. Running from Oct 16 through 27, the festival will showcase films from Chicago and around the world.
Go deep with the Chicago Underground Film Festival
The 32nd annual Chicago Underground Film Festival ran this weekend from Sept. 17 - 21, showcasing experimental and fringe films around the world.
‘By the Stream’ review: A serene conversation on the processes of art and life
The 32nd feature film from Hong Sang-soo is another quiet yet miraculous drama.
‘Eddington’ review: Ari Aster’s political satire lacks commitment
The chaotic western comedy dives headfirst into the turbulence of 2020 — but while it satirizes America’s fractured institutions and culture wars, it often trades depth for spectacle.