Scarier than expected, Kenneth Branagh charts a new path for Poirot in “A Haunting in Venice”
Elizabeth Gregerson, Contributing Writer
• October 1, 2023
“The Creator” Panel discusses AI and virtual reality, technology as our closest friend and scariest fear
Samuel Mroz, Asst. Arts and Life Editor
• October 1, 2023
Surrealist artist explores science, magic and spirituality through her art
Alyssa N. Salcedo, La DePaulia Editor-In-Chief
• September 25, 2023
Cuban American photojournalist captures the joys and struggles on the island in art exhibit
Rodolfo Zagal, La DePaulia Managing Editor
• September 25, 2023
FERIA Celebrates Latinx Heritage Month with Samba and Drag
Cary Robbins, La DePaulia Former Managing Editor
• September 25, 2023
‘I believe that a better world is possible:’ How bestselling author Kathleen Rooney strives to reshape the literary world
Lilly Keller, Editor in Chief
• September 24, 2023
“Waiting for the Light to Change” opens at Siskel Center
Sam Mroz, Arts & Life Editor
• September 24, 2023
Cultural and Resource Centers takeover campus to promote student representation
Safia Poindexter, Contributing Writer
• September 24, 2023
Willie Nelson DeJamz
Lilly Keller, Editor in Chief
• September 24, 2023
Making our way downtown: Where to get breakfast near DePaul’s Loop Campus
Nadine DeCero, Opinions Editor
• September 24, 2023
“GUTS” review: A spirited continuation of 2000s punk and SOUR legacy
Avery MacNab, Contributing Writer
• September 24, 2023
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